Friday, March 10, 2006
Dangerous Ideas, Sinister Forces
By Andrew Ford Lyons
How quickly we backslide: In June of 1937 the federal government slapped chains and a padlock onto the doors of Maxine Elliot Theatre in New York. It was an attempt to halt a performance of "The Cradle Will Rock," a Marc Blizstein musical the feds found far too full of dangerous ideas for public consumption. The show’s director, Orson Welles, rushed back from Washington, D.C., on opening day after a failed attempt to convince the government to lift its ban. He found about 600 people waiting to see the performance idling in front of the theater, along with his cast. (more)
NOTE:
We just added Rachel's Words to the sidebar
list of blogs.
See all the news
on the banned play
about Rachel Corrie there.
By Andrew Ford Lyons
How quickly we backslide: In June of 1937 the federal government slapped chains and a padlock onto the doors of Maxine Elliot Theatre in New York. It was an attempt to halt a performance of "The Cradle Will Rock," a Marc Blizstein musical the feds found far too full of dangerous ideas for public consumption. The show’s director, Orson Welles, rushed back from Washington, D.C., on opening day after a failed attempt to convince the government to lift its ban. He found about 600 people waiting to see the performance idling in front of the theater, along with his cast. (more)
NOTE:
We just added Rachel's Words to the sidebar
list of blogs.
See all the news
on the banned play
about Rachel Corrie there.
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